References
The 'Introduction' from Mirzoeff, N. (2009) An Introduction to Visual Culture. 2nd Edition. New York: Routledge
Mirzoeff, N. (2016). How to see the world: An introduction to images, from self-portraits to selfies, maps to movies, and more. New York: Basic Books.
Mirzoeff, Nicholas. “Invisible Empire: Visual Culture, Embodied Spectacle, and Abu Ghraib.” Radical History Review, vol. 2006, no. 95, May 2006, pp. 21–44.
Sontag, Susan. “Regarding The Torture Of Others.” The New York Times, May 2004.
Standard Operating Procedure. Directed by Errol Morris, 2008
Butler, J. (1993) ‘Endangered/Endangering: Schematic Racism and White Paranoia’, in Gooding-Williams, R., Reading Rodney King Reading Urban Uprising, New York and London: Routledge.
Mirzeoff, Nicholas. The Appearance of Black Lives Matter. 2017.
Mbembe, A., & Meintjes, L. (2003). Necropolitics. Public Culture, 15(1).
Mbembe, Achille. “Introduction: The Becoming Black of the World.” Critique of Black Reason, 2017.
Butler, Judith. Frames of War: What Makes a Life Grievable? 2009.
The Propaganda War for Ukraine | DW Documentary. Directed by DW Documentary, 2023. YouTube
Matviyenko. Nuclear Cyberwar: From Energy Colonialism to Energy Terrorism. Apr. 2022
Stein, Rebecca L. “‘The Boy Who Wasn’t Really Killed’: Israeli State Violence in the Age of the Smartphone Witness.” International Journal of Middle East Studies, vol. 53, no. 4, Nov. 2021, pp. 620–38. DOI.org (Crossref)
Weizman, Eyal. “Introduction.” Investigative Aesthetics, 2021.
Cirio, Paolo. Evidentiary Realism. 2017
Wills, Emily Regan. “Alan Kurdi’s Body on the Shore.” Alan Kurdi’s Body on the Shore, Rutgers University Press, 2019, pp. 102–07.
De Angelis, Enrico. “The Controversial Archive: Negotiating Horror Images in Syria.” The Arab Archive: Mediated Memories and Digital Flows, Edited by Donatella Della Ratta, et. all, 2020.
Catherine Zimmer (2015). Surveillance cinema. New York: New York University Press, 2015
Mirzoeff, N. (2016). How to see the world: An introduction to images, from self-portraits to selfies, maps to movies, and more. New York: Basic Books.
Mirzoeff, Nicholas. “Invisible Empire: Visual Culture, Embodied Spectacle, and Abu Ghraib.” Radical History Review, vol. 2006, no. 95, May 2006, pp. 21–44.
Sontag, Susan. “Regarding The Torture Of Others.” The New York Times, May 2004.
Standard Operating Procedure. Directed by Errol Morris, 2008
Butler, J. (1993) ‘Endangered/Endangering: Schematic Racism and White Paranoia’, in Gooding-Williams, R., Reading Rodney King Reading Urban Uprising, New York and London: Routledge.
Mirzeoff, Nicholas. The Appearance of Black Lives Matter. 2017.
Mbembe, A., & Meintjes, L. (2003). Necropolitics. Public Culture, 15(1).
Mbembe, Achille. “Introduction: The Becoming Black of the World.” Critique of Black Reason, 2017.
Butler, Judith. Frames of War: What Makes a Life Grievable? 2009.
The Propaganda War for Ukraine | DW Documentary. Directed by DW Documentary, 2023. YouTube
Matviyenko. Nuclear Cyberwar: From Energy Colonialism to Energy Terrorism. Apr. 2022
Stein, Rebecca L. “‘The Boy Who Wasn’t Really Killed’: Israeli State Violence in the Age of the Smartphone Witness.” International Journal of Middle East Studies, vol. 53, no. 4, Nov. 2021, pp. 620–38. DOI.org (Crossref)
Weizman, Eyal. “Introduction.” Investigative Aesthetics, 2021.
Cirio, Paolo. Evidentiary Realism. 2017
Wills, Emily Regan. “Alan Kurdi’s Body on the Shore.” Alan Kurdi’s Body on the Shore, Rutgers University Press, 2019, pp. 102–07.
De Angelis, Enrico. “The Controversial Archive: Negotiating Horror Images in Syria.” The Arab Archive: Mediated Memories and Digital Flows, Edited by Donatella Della Ratta, et. all, 2020.
Catherine Zimmer (2015). Surveillance cinema. New York: New York University Press, 2015